Posts Tagged ‘ entertainment ’

A whisper in a storm

Did you know
that everything we ever were
was only a whisper in a storm?
A candlelight in the pouring rain?
That when you pick over it
nothing real remains
Do you know?

All those words
and all those empty pages
were only childish wishes
the ink is all gone dry,
Everything is gently stained
with all the lies we said
nothing else remains.

Thinking bout it now
ain’t it funny how we see
that you belonged to you
and I belonged to me.

Be honest
and admit it’s a game we played
let’s tell each other there will be another
and go our own way.
That means letting go
coz we can’t be the same
dragging our hearts around in the rain.

Advertisements

Pay to play…please.

Living on the bottom rung of music is a difficult place to be. Starting out as a young musician you have aspirations to make a career out of that which you love. However, Ireland doesn’t really have the avenues to make a living out of music. There are many reasons for this but there are three major ones that I believe hamper the scene and creativity in general: (1) a lack of dedicated places that put on original music (2) too many bands and (3) unwillingness to pay bands. The first two points are difficult and impossible to solve respectively. Pubs are the venues for gigs in Ireland and the punter wants music that they recognize. On the second point, you can’t stop people playing so, an overcrowded market exists. Point three is the kicker and it is the one that really stifles the Irish musician.

Firstly, we all have to admit that we have devalued music. All of us. We don’t think we have to pay for music. Spotify, YouTube etc. etc. pay very little we all know this and now we are beginning to see the fruit of this as even successful bands have to tour constantly to make money. ‘Well screw them’ you might say ‘they have enough money already’. That may be the case but I’m thinking more about the bottom rung musicians and in Ireland, when you are there well money doesn’t exist.

‘What system does exist?’ I hear you ask. For the most part, exploitation. A tad dramatic? No not really. You see I come from a working class background and my parents couldn’t afford to bankroll my dreams. ‘Never stop believing’ is easy to say but let’s be honest that doesn’t pay for guitars, amps, PAs, strings and petrol. Look at point two again. Yes, too many bands. You see there will always be a band that will play if you don’t. Starting out I never cared about money, of course I didn’t I was 14 when I started. But when I turned 18 I was expected to work. Nothing dulls a dream like an empty pocket and nothing kicks you in the stones like working on songs only to be told: ‘We will give you the gig , we can’t pay you but (and every bottom rung musician knows the next line) it’ll be great exposure!’ We all believe this at the start but only a fool believes it down the road. Or so you would think.

I’m writing this because I believe that most musicians live in a bubble or suffer from a psychosis. I’ll never forget my girlfriend asking me ‘How much did you get for that gig?’ I was in my thirties and playing in the Temple Bar area of Dublin. I’ll never forgot the look on her face when I replied ‘Nothing’ (I lie we each got one pint). She looked at me like I was mad. I was. You see that look pulled me out of the reverie but to be honest that had begun to happen a long time before.

It happened one night in a pub in the inner city, I won’t name names here as I’m classy like that ah what the fuck they probably need the exposure. It was The Mercantile and we were waiting to go on and the drummer turned to me and he said: ‘I’m sick of playing up and down in the same places for nothing’. He looked so dejected that I knew that night his heart was gone out of the band and truth be told mine had begun to. It wasn’t really the band. It was more that I had to try to hold down a job and then get to a venue and play to about fifty people who didn’t really care. I’m from the punk school of music so I put on a show but it was hard. What was harder was the realization that when you don’t pay for something you don’t appreciate it. We weren’t getting paid, and we weren’t getting paid for all the hard work that we had done and because of that people treated it as next to nothing. Harsh? Yes. True? Search your feelings, you know it to be true.

I’ll leave it on this, I was in another band and we got an opportunity to appear in a short film. You know the story, it’ll be great exposure yadda, yadda. So, I ring to find what we would need (as I’ve never been in a movie) and the most ignorant waste of space has the temerity to start getting snotty with me as I’m asking are they providing a PA for us to play through. He starts to launch into an attack about how I should know and why am I ringing. I stop him dead in his tracks and tell him in no uncertain terms to never talk to me like I’m an errant child and remind him we are doing him the favour. Against my better judgement I borrow a PA to bring with us to the shoot. We drive fifty miles to a pub at the designated time of one o’clock. No one is there. When they do arrive three hours later we set up etc by eight that evening we have still not started the shoot. I talk to a guy back stage ( I don’t want to embarrass my band mates) he has a word and eventually at around 9:00 the shoot begins. It’s all over by ten but we have to pack up and get back. We were promised food. That’s all we asked. Food. They bought eight pizzas for about eighty people. I got one slice. I arrived home at one. I did twelve hours for a slice of pizza. That was two and a half years ago. The film has never been released and the band have since split. Exposure? When you’re on the bottom there ain’t no such thing!

A wave that breaks.

Generation X was the label of my generation. We were/are the slackers, the cynics, the ones that had lost all trust in authority and just kinda shrugged at it all. Well at least that was the cliche. Who knows what we were or are for labels are handed out in an arbitrary fashion usually at the whim of journalists or sociologists. What is true is that the movement known as grunge brought the underground overground as it were. There were many bands involved but there were four that stood out for me: Pearl Jam, Nirvana, Soundgarden and Alice in Chains. Well we all know what happened to Kurt Cobain and Layne Staley of Alice in Chains died after. That left Eddie Vedder and Chris Cornell. Unfortunately Chris Cornell died in May. There is a deep sadness that the bands that changed so much lost their frontmen. Of all the four Soundgarden were my favourite and I had the pleasure of seeing them live in Dublin some years back. Sleep well Chris and thank you for the music.

A Wave That Breaks

The remnants of my youth
carried on the updraft of your voice.
It echoed through the rooms of my thoughts.
Images formed of fragments
the possibility of the now,
the slow trudge of an ending
and the beginning of newer age.
What gifts the seer brings
harnessing the whisper to create the scream
showing the believers the worth of their dreams
knowing the unknown
keeping us alive
measuring the distance
of rooms a thousand years wide.

It’s a swindle…

imageFor a band that changed so much in our music and culture the Sex Pistols have, by and large, been ill-served on the movie front. Shortly after the band split The Great Rock n’ Roll Swindle (directed by Julien Temple) was released. In many ways it is a fun film and offers some great footage of the band. There are classic scenes of the chaotic US tour including such highlights as Sid whacking a guy over the head with a bass and, of course, Lydon’s parting shot on the San Francisco stage where he looks out and says: ‘Ha ha ha, ever get the feeling you’ve been cheated?’ Steve Jones plays a Philip Marlowe like character, albeit a foul-mouthed version as he fucks and blinds his away around England and Brazil. There are oddities aplenty, Ronnie Biggs (a train robber, then on the run and living in Brazil) is shoe-horned in for no apparent reason and an most bizarrely mentions of ‘who killed Bambi?’ which is never explained (it comes from an earlier script). However, it is wrapped in a narrative which creates the impression that Malcolm McLaren (their manager) was some great puppet master that pulled the strings behind the scenes. The band are reduced to a play-thing for the machinations of their malevolent manager. It becomes little more than an ego-stroking exercise. What is rather ironic is that in the fictitious telling of the story whereby McLaren wants to make the band out to be anti rock n’ roll his story makes them the most boring rock n’roll cliche. He destroys the bands power; he reduces them to a cheap carry-on farce and robs them of any real potency. All that is left is the cartoon version of the band, the one that can’t play, the one that pukes all over the place and the one that was essentially a boy band created to sell clothes for Malcom’s infamous shop, Sex.

Sid and Nancy was directed by Alex Cox and was released in 1986. Gary Oldman stars as the doomed Sid Vicious but just like the aforementioned Swindle the characters are reduced to caricatures. Oldman does a great job with the material as does Chloe Webb in her role as Nancy Spungeon alas, the rest is shocking. Lydon is portrayed as a bean-eating joke,one that is is jealous of Nancy. Steve Jones and Paul Cook are just in the background but criminally when Cook is shown he is an idiot that for some reason the band don’t like. Verisimilitude is absent from the gig scenes, punks with day-glo Mohawks are pogoing about despite the fact Mohawks weren’t to arrive on the scene until the 1980s, Poly Styrene, half Somalian lead singer of X-Ray Spex is transformed into a white woman and it all just seems off. Again, the potency of the band is neutered.

In the end maybe a fictitious telling of the Pistols story is impossible. If you are interested in their story read Lydon’s No Irish, No Blacks,No Dogs and Anger is an Energy, Glen Matlock’s I was a teenage Sex Pistol and Steve Jones’ Lonely Boy. Three films I would recommend are Don Letts The Punk Rock Movie, DOA by Lech Kowalski and The Filth and Fury by Julien Temple. Get off your arse.

The Fear

 

https://shespeaksmusic.bandcamp.com

imagehttps://shespeaksmusic.bandcamp.com

 

Hey all, just a quick plug for our debut single ‘The Fear’ we would be most grateful if you could give it a listen. Just click the link above. We are all very proud of it, hope you like.

Little Known Irish Classics (Vol. II)

 

No discussion of Irish music would be definitive without mentioning Microdisney. Fronted by Cathel Coughlan the band were lyrical and representative of the ’80s indie led sound that, whilst the norm for our near neighbours still wasn’t really in vogue in Ireland. Record companies were scouring Ireland looking for the next U2. Microdisney weren’t that but we are none the worst for it! Helicopter of the Holy Ghost.

 

 

 

With influences from Echo and the Bunnymen and vibing off Joy Division and The Cult (to a lesser extent) Into Paradise continued building on the idea laid down by bands like The Blades, Microdisney etc. Growing up in the late eighties and hearing Irish bands that weren’t like U2 or playing acoustic showed me I could pick up an instrument and give it a go. Rains come down indeed.

 

Ciunas  were part of the punk scene that had re-emerged in Dublin (and various parts of the country) during the early nineties. For a small number of us bands like this are a reminder not just of that scene and time in our lives but also for the independent record company: FOAD. There were bands such as Brinskill Bomb-beat, The Blue Babies, Coitus and, of course, Paranoid Visions on the roster. The song ‘Life’ is a near perfect slice of hardcore and skank inducing ska. Yes, it dealt with some clichéd lyrical themes (which doesn’t take away from the lyrics itself) but it is propelled by a driven guitar and melodic bassline it very much proved that Punk was alive and kicking in the Ireland of my youth.

This will be the third time that I have mentioned the seminal Irish punk survivors Paranoid Visions in my list however, around 1993 the band disbanded but some of the members re-surfaced as Striknein DC. Circus is a little cracker and a bit like the previous band DC melded hardcore with ska and reggae. The movement was heavily influenced by UK bands such as Citizen Fish and AOS3 however, Irish bands weren’t merely aping the scene but were actively shaping it. I will allow myself a bit of nostalgia on this one as the band I was in the nineties (Mythical New Underground) supported the DC in the now defunct Newbridge venue: Cox’s. That night was a crazy one as skinheads started to run amok and I remember DC’s singer Deco exhorting the audience to ‘Fight the real fucking enemy’. What a night that was!

Back to the early nineties but away from the punk scene we find The Pale. They were one of those odd Irish acts that emerge every so often that sound nothing at all like what people think of as an Irish sound. The Pale had this Romany gypsy vibe but not in a commercial sense. Dogs with No Tail was not as big as their hit-single Butterfly but that is no bad thing. I love the mandolin infused tune and the delivery of the vocal. They were totally out of time with their surrounding but they produced a fantastic album that is proof, if ever it was needed, that Ireland can produce a lot more than the traditional music clichéd lens that we are often viewed through.

The sound and the fury.

The growth of the digital age has changed the face of music. Not a bold pronouncement by any means but rather a cold statement of fact. The means of production and consumption has altered and like any epoch there are good and bad aspects. One thing I’ve been pondering over the last few weeks is the production. Digital recording has allowed for a cleaner, more uniform sound. Ostensibly this should be a good thing however, it presents two problems namely uniformity and also it highlights the ‘bad’ sound quality of older recordings.

These recordings can range from the old Delta blues masters, jazz classics, big bands, show tunes, garage rock etc. Within the punk rock fraternity the rawness of the recording was part of the aesthetic. The DIY nature of the movement often necessitated working outside and against the mainstream. Underground bands from Minor Threat, Subhumans, Crass, Black Flag, Minutemen (the list is endless) represented a rawness of sound where the message and energy was king, the medium less so. Here is the song, take it or leave it. Some of my favourite tunes and albums are less than pristine and less then polished. Those bands were chipping away from the outside and their lack of aural finesse, often necessitated by lack of funds, became part of the whole.

Today bands are often too packaged for my liking. To well put together. One eye is on getting the audiences money. The experience of listening to music has become, in many ways, less pleasurable. The medium has become more important than the message. With the advent of grunge the underground went overground and in that process the underground disappeared. The digital revolution has, in a very real sense, removed the raw, unbridled sexual energy of music and in it’s wake left a pristine almost antiseptic landscape. Don’t get me wrong it isn’t all bad as digital quality recordings can be made in anyone’s bedroom and as the breakdown of the wall between artist and audience has occurred. However, call me an old romantic but I sometimes yearn for the Lo-Fi thrill of a cheap recording one that may not be nuanced but has a heart as big as a whale!